There is more to the villain's background and when it is interval bang, another villain comes from an unexpected quarter. Karthik's unintended forays into Deepak Raj's (the character is played by Arun Vijay) turf bring him into direct confrontation with him.

The thread makes a reappearance in the climax, only to be punctuated with a Megastar dose. Karthik has a lovable sister (Kriti Kharbanda), a mother and a constantly chiding father (Rao Ramesh), and isn't this premise enough to have a family sub-plot woven in the story? It is done, it takes the form of father-son banter and brother-sister sentiment. Charan plays an almost full-fledged star's comedy, revealing in the process the Chiranjeevi in him in a role reversal of sort, Chiranjeevi imitates his son, visibly with pride! Megastar playing Megastar is a magical moment in the climax, amply perking up an otherwise moribund proceeding.Ĭharan plays Karthik, a stuntman working in film industry, mistaken by Riya (Rakul Preet Singh) to be a brave cop out to cleanse the system. Kona Venkat and Gopi Mohan pen a script that blends situational comedy with occasional action and half-hearted romance. Besides, the hero plays a con on the villain, and like in 'Dookudu', shows his intense avatar whenever the opportunity comes (however, it comes only once and it is when Bruce Lee shows his serious hero side, with a topping of a Hindi line - at the lift). Then there is that 'Dookudu' narration which means the story moves forward in even an apparently comedy scene thus, the heroine unintentionally involves her boy friend in unravelling a don-like character's empire.

If the villain has a womanising side to him (like a negative character in 'Aagadu' had), the hero plays an instrumental role in exposing that side, complete with playing a Mahesh Babu, with Brahmanandam in tandem. 'Bruce Lee' has traces of 'Aagadu' and 'Dookudu' if one goes beyond scratching the surface.

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